Free Training · Who Actually Owns Your Music in the AI Era
Free Training

Who actually owns your music in the AI era...and what to do about it

Free training for independent music creators who want to understand what they own, protect it, and let it keep working for them in the AI era.

Most independent creators only collect one of the five royalty streams attached to every song they release. This training shows you how to find the other four.

Free · About 30 minutes · Watch instantly

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You've been releasing music for years. You've already done the hard part.

But if you're honest, you're still not completely sure what's actually protected, what's collecting, and what's quietly slipping through the cracks behind the scenes.

That's more common than you think. And it's not a talent problem - it's a "nobody ever explained this clearly" problem. Let's fix that.

In this free training, I'll walk you through:

  • Why your distributor isn't protecting your music - and what actually does
  • The registration gap that could be costing you up to 50% of your performance royalties right now
  • What AI actually changed about ownership in 2026 - and why human creators are in a stronger position than most realize

This is the stuff I wish someone had handed me years ago, as an independent artist who writes, produces, mixes, masters, and runs all her own admin from a home studio. Nobody dreams about metadata. I just got tired of watching it cost people money they'd already earned.

The part nobody tells you

Three gaps are quietly costing you money you've already earned.

Most artists never even find them - which is exactly why the money keeps slipping away, month after month. They're not talent problems. They're not quality problems. And once you can see them, every one is fixable. Inside the free training, I name all three and show you how to close each one.

Show Me the Gaps

What you'll learn

  • The royalty streams attached to every song - and which ones your distributor doesn't handle
  • The difference between copyright ownership, enforceability, publishing, and commercial AI licensing
  • Why so many independent artists leave performance royalties uncollected for years without realizing it

When you know what you own, you can protect it. When it's protected, it can start working for you. That's how music funds more music - and how it stays a real part of your life.

Own what you create.

Get the Free Training
★★★★★

Real messages from real creators

Trusted by over 3,000 creators across 30+ countries

JS
Joseph S.

I thought I had all my bases covered - I was wrong. Save Your Songs helped me get them covered, fast!

★★★★★
Terry F.

Thanks to your videos on song protection and registration, I'm moving immediately. I just compiled my catalog of 150 unreleased songs!

★★★★★
TB
Teri B.

The first thing I learned was how to own my music. And that I can be my own publisher and stop giving my money away - no LLC required to start.

★★★★★
Maura M.

I'm so relieved to see I already have many of the pieces in place - a PRO account with both creator and publisher sides in ASCAP, and copyright registrations on a few songs.

★★★★★
DR
Doug R.

What clicked most: there are more than three royalty streams. And the Copyright Office won't register AI-created works - which sits well with me.

★★★★★
Carolyn T.

I learned Songtrust also works for independent songwriters with fewer than 100 songs - and discovered Instant IP, which I'd never heard of. Getting detailed answers to all my questions has been fun and informative.

★★★★★
JB
John B.

Copyright really struck me - Andrea laid out five key points and it was eye-opening. Knowing I'm dotting every i and crossing every t gives me real peace of mind.

★★★★★
Lois M.

My big takeaway is prioritization - finally knowing what to focus on first.

★★★★★
Music from Produce Like A Boss creators has been heard on As heard on Warner Chappell, Rolling Stone, Samsung, Sony, Fox, and more
Andrea Olson
Produce Like A Boss

About your host, Andrea

Andrea Olson is the Owner of Produce Like A Boss, where we help artists, producers, and musicians produce, protect, and profit from their music.

She's a full-time independent artist-producer who built a six-figure, 1M+ stream music career without a label, manager, or large following, by choice. She writes, records, produces, mixes, masters, releases, and manages her own catalog. She's released 60+ songs, licensed music to brands, and once turned a single Christmas album into around $30k in branded client gifts - proof that music can fund more music.

Along the way she learned that making music and building a life around music are two different things. The admin side wasn't stealing time from her creativity - it was protecting it.

She didn't build the career the industry told her to build. She built one that let her keep making music. That's the whole point - making sure music never becomes something you used to do.

Get free access now

Free · About 30 minutes · Watch instantly

Where should we send it?
Free Training · Who Owns Your Music in the AI Era
Free Training

Who actually owns your music in the AI era?

Free training for independent creators who want to understand what they own, protect it, and let it keep working for them.

Most creators only collect one of the five royalty streams on every song. This shows you how to find the other four.

Get the free training

Free · About 30 minutes · Watch instantly

You've been releasing music for years. You've already done the hard part.

But you're still not completely sure what's protected, what's collecting, and what's slipping through the cracks. That's not a talent problem - it's a "nobody explained this clearly" problem.

In this free training:

  • Why your distributor isn't protecting your music - and what actually does
  • The registration gap costing some artists up to 50% of their performance royalties
  • What AI actually changed about ownership in 2026
The part nobody tells you

Three gaps are quietly costing you money you've already earned.

Most artists never even find them. Inside the free training, I name all three and show you how to close each one.

Show Me the Gaps

What you'll learn

  • The royalty streams on every song - and which ones your distributor doesn't handle
  • The difference between ownership, enforceability, publishing, and commercial AI licensing
  • Why so many artists leave performance royalties uncollected for years

When you know what you own, you can protect it. That's how music funds more music.

Own what you create.

Get the Free Training
★★★★★

Real messages from real creators

JS
Joseph S.

I thought I had all my bases covered - I was wrong. Save Your Songs helped me get them covered, fast!

★★★★★
Teri B.

The first thing I learned was how to own my music, and that I can be my own publisher and stop giving my money away.

★★★★★
DR
Doug R.

What clicked most: there are more than three royalty streams - and the Copyright Office won't register AI-created works.

★★★★★
Lois M.

My big takeaway is prioritization - finally knowing what to focus on first.

★★★★★
Music from Produce Like A Boss creators has been heard on As heard on Warner Chappell, Rolling Stone, Samsung, Sony, Fox, and more
Andrea Olson

About your host, Andrea

Andrea Olson is the Owner of Produce Like A Boss. A full-time independent artist-producer who built a six-figure, 1M+ stream career without a label - by choice. She writes, records, produces, and manages her own catalog, and built one that let her keep making music.

Get free access now

Free · About 30 minutes · Watch instantly

Where should we send it?
Get the Free Training